Content Summary
This article provides a detailed introduction to Transient Distortion, explaining its causes in accordance with the national standard GB/T 2900.86-2009, and analyzing its specific manifestations in dynamic microphones, condenser microphones, and wireless microphones. By integrating content from “Frequency Distortion,” “Phase Distortion,” and “Frequency Response Analysis,” it explains the impact of transient Distortion on audio quality and how to reduce distortion through technical means to enhance the dynamic performance and realism of audio systems.
In audio engineering, transient distortion is a commonly overlooked yet significant audio issue that impacts sound authenticity and dynamic performance. It refers to the inability of an audio system to accurately follow the changes in the sudden variations (transients) of the input signal, resulting in distortion of the output signal.
According to the national standard GB/T 2900.86-2009:
“Distortion caused by the system's inability to accurately follow signal changes.”
This means that when rapid changes occur in the sound signal, such as the impact of percussion instruments, the “plosive sounds” of human voices, or the attack of musical instruments, if the microphone or audio system cannot respond promptly to these changes, it will result in sound distortion or loss of detail.
This article will provide a detailed analysis of the definition, causes, and effects of transient distortion in dynamic microphones, condenser microphones, and wireless microphones, and will also cover related topics such as “frequency distortion,” “phase distortion,” and “frequency response” to help you fully understand this critical audio metric.
Transient distortion refers to the inability of an audio system to respond promptly or accurately reproduce the rapidly changing “transient” components of an input signal, resulting in distortion or delay in the output waveform.
For example:
When a drumstick strikes the drumhead, the sound signal suddenly rises;
If the microphone diaphragm does not respond quickly enough, it may “miss” the details of this instant;
resulting in the sound sounding “soft” or “unclear”;
Transient response determines the “impact” and “realism” of sound.
Even if frequency response and phase response are good, if transient response is poor, the audio system may still sound “sluggish” or “lacking in vitality.”
The mass and structure of the microphone diaphragm determine its response speed to sound changes. If the diaphragm is too heavy or the material lacks sufficient rigidity, it may result in delayed transient response.
For example:
Dynamic microphones typically use a heavier diaphragm combined with a coil;
When capturing rapidly changing transient signals, a “tailing” phenomenon may occur;
If the electronic circuits in the microphone or preamplifier are poorly designed, they may also affect transient response.
For example:
Some low-cost amplifiers use slow operational amplifiers;
This may prevent high-frequency transient signals from being amplified in a timely manner;
Wireless microphones require encoding, modulation, and decoding when transmitting audio signals. These processes may introduce time delays, affecting the real-time reproduction of transient signals.
For example:
Digital compression algorithms may “simplify” high-frequency transient information;
resulting in percussion and clear vocals sounding “less clear”;
Different types of microphones exhibit varying transient response characteristics due to differences in structure, materials, and circuit design.
Dynamic microphones, due to their physical structure, typically have higher mechanical inertia, resulting in relatively weaker transient response.
a) Diaphragm Inertia Affects Transient Response
The diaphragm and coil assembly in dynamic microphones is relatively heavy. When encountering rapidly changing sound signals, the diaphragm may fail to respond promptly, causing transient signals to be “blurred.”
For example:
The Mr Senma S-ONE performs excellently when recording vocals;
However, when capturing percussion or the “plosive sounds” of clear vocals, it may appear slightly sluggish;
b) Circuit design affects transient response
Some dynamic microphones use simple analog circuits with slower response speeds, which may also affect the reproduction of transient signals.
Condenser microphones, with their lightweight diaphragms and high sensitivity, typically offer excellent transient response and are the preferred choice for professional recording.
a) Lightweight diaphragms enhance response speed
The diaphragms in condenser microphones are usually very thin, enabling them to quickly respond to changes in sound signals and capture richer transient details.
For example:
The Mr Senma U87S performs exceptionally well when recording vocals and percussion instruments;
It accurately reproduces the “attack” and “decay” phases of sound;
b) The impact of preamplifier design on transient response
High-end condenser microphones are typically paired with high-speed preamplifiers to ensure the complete transmission of transient signals. However, improper preamplifier design may introduce transient distortion.
Wireless microphones may affect the reproduction of transient signals during transmission due to factors such as encoding, modulation, and transmission delay.
a) Digital compression algorithms causing loss of transient signals
Some wireless systems use digital compression algorithms to transmit audio, which may result in high-frequency transient information being “compressed” or “ignored.”
For example:
When using low bit rates, the “attack” of percussion instruments may be “smoothed” out;
resulting in the sound sounding “less powerful”;
b) Multipath interference affects signal synchronization
In complex environments, wireless signals may reach the receiver via multiple paths, causing inconsistent signal delays and affecting the synchronization of transient signals.
Use short pulse signals (such as square waves or impulse signals) as input;
Observe changes in the output signal waveform using an audio analyzer;
Analyze whether phenomena such as “overshoot,” “tailing,” or “sluggish response” are present;
a) Select microphones with high transient response
Choose microphones with lightweight diaphragms and high-speed electronic circuits to enhance transient response capabilities.
b) Optimize wireless transmission settings
Use high-quality wireless encoding protocols (e.g., 24-bit LPCM);
Minimize transient information loss caused by compression;
c) Control the recording environment and signal path
Use high-quality preamplifiers;
Avoid excessive compression or limiting processing;
Whether it is a dynamic microphone, condenser microphone, or wireless microphone, transient distortion is an important factor affecting the authenticity and dynamic performance of sound.
From the onset of the Fundamental Frequency to the integrity of the frequency response, and the synchronization of the phase response, every stage can be a source of transient distortion. Only through scientific selection, proper use, and good maintenance can transient distortion be minimized to the greatest extent, restoring authentic, clear, and impactful sound.
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